Contents: Special International Careers Issue

The most important skill to bring to the table is resiliency. No matter what challenges are presented to you, you will have horrible days. And when we do work hours as long as we do, and you’re probably jet-lagged, and eating stuff that’s making your stomach not feel great, the ability to get back up every day and face the world with positive, dedicated, ambition is so important. Because if you lose that, if you let yourself go, it can cost you. As a field producer, especially, you are the morale lead for the crew. If you’re bringing the team down, then the rest of your crew will not feel inspired. When I’m looking to staff my crew, my Roledex only ever includes people I know I can trust, and are not the type to deceive. Not even necessarily lying, but even toying with the truth to make yourself look better. I won’t say anything, but I’ll probably never call you again. A formal education definitely helps. If you do want to move on and eventually work for a broadcaster, you will need a post-secondary education, so it’s not something to omit for too long if that is the direction you want to go.  It's important to note that broadcasters also have final sign-off for key crew, directors, producers, etc for each show. So if you don’t have that education or a really strong resume, it will lessen your chance of getting those roles. If you can spend your summers doing a couple of side projects that you can add to your portfolio, that’s hugely beneficial. If you really want to get into the business right away, and test out the waters, just start going to everything. Join the Facebook groups that are out there. Go to the networking events, meet everyone you can, email a producer see if they’d be willing to go to a coffee with you.